The primary (and best) reason to digitize museum collections is to share them with the public on the web. PMM’s photo archives staff has been hard at work for the past year getting to know Kosti Ruohomaa’s photographs through this process. Since he worked under the umbrella of a photo agency for most of his life (Black Star Publishing in Manhattan), the collection is most meaningfully grouped by his professional assignments: those he was given and those he conceived himself and pitched to them. It’s interesting to observe that many of the “self-assignments” were studies of particular aesthetic and cultural themes which the photographer circled back to repeatedly throughout his career.
Beginning in January of 2021, we’ll use this page to showcase a few new assignments each month. Please check back here to further explore the captivating work of this iconic Maine talent. Click on any of the thumbnails below to open that group of images in our online database.
At the time Ruohomaa shadowed Game Warden Tom Sprague on his wintry rounds, Sprague had been with the Maine Warden Service for nine of his 41 years.
Kosti Ruohomaa made several photo series illustrating the fun children have in the countryside. In this series, Kosti focuses on four-year-old Emily Burns, exploring the countryside for the first time at Henry and Eleanor Laxson’s dairy farm in Millford, NH.
Kosti Ruohomaa documented the herring fishery from every angle over a number of years including 1953, 1957, 1958, and 1960. He photographed the boats, fishermen, and nets.
In the winter of 1944, Kosti Ruohomaa took a series of photos of volunteer craftsmen providing art therapy for wounded soldiers returned from World War II, in a program organized by the Red Cross.
Kosti Ruohomaa’s interest in folk traditions, historic structures, and rural life came together in a study of Pennsylvania barns he did for Life magazine in 1944.
In the early 1950s, Ruohomaa visited two burgeoning families in rural Maine, including Therees and Lloyd Brooks, who were raising 12 daughters in an old schoolhouse.
Kosti Ruohomaa documented several town meetings all over New England, and not only captured democracy at work, but also the variety of people in the town, the weathered faces of the hard-working folks that he loved to focus on. In this series, Kosti documents a particular controversy being discussed at the Town Meeting of Enfield, New Hampshire in 1954.
Kosti Ruohomaa took a series of photos illustrating the connections between the people living in Calais, Maine, and St. Stephen, New Brunswick, just across the border in Canada. Kosti included images of the institutions that serve both communities like the Chipman Hospital in St. Stephen and the Calais Free Library.
This small group of images muses on kids with their pets, particularly an unidentified 10 year old boy proudly washing and grooming his dog, who seems to as captivated by the ritual as his owner.
Kosti had a fascination with traditional skills and activities and the men who kept these traditions alive. The Maine Guides photographed in this series were hired for their hunting, fishing, and survival skills, but here we see them chatting and telling tall tales by the woodstove at the Kennebago Lake Club.